My first exhibition as an autonomous baby curator: The object is not online November 2010 to February 2011, at the CCA
“Brings together questionably digitized materials with undoubtedly material digital systems to explore the translation of objects into online representations. It uses objects from the CCA Collection to examine the shift, and to explore some differences between seemingly limitless cyberspace and the museum where presence and real space are the rule.”
More »
“Brings together questionably digitized materials with undoubtedly material digital systems to explore the translation of objects into online representations. It uses objects from the CCA Collection to examine the shift, and to explore some differences between seemingly limitless cyberspace and the museum where presence and real space are the rule.”
More »
Journeys October 2010 to March 2011, at the CCA:
“Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. This exhibition looks at how movements impact on the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds land, to government-enforced relocation, the uprooting and rearranging of communities in a way that changes landscape and society forever.”
More »
“Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. This exhibition looks at how movements impact on the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds land, to government-enforced relocation, the uprooting and rearranging of communities in a way that changes landscape and society forever.”
More »
Intermission November 2009 to February 2010, at the CCA:
“Intermission surveys the evolving relationship between speed and space, from early reactions to new technology to nostalgic ideas of an unmechanised past. It bridges the themes of the preceding exhibition Speed Limits and the subsequent exhibition Other Space Odysseys: Greg Lynn, Michael Maltzan, and Alessandro Poli”
More »
“Intermission surveys the evolving relationship between speed and space, from early reactions to new technology to nostalgic ideas of an unmechanised past. It bridges the themes of the preceding exhibition Speed Limits and the subsequent exhibition Other Space Odysseys: Greg Lynn, Michael Maltzan, and Alessandro Poli”
More »
Actions: What You Can Do With the City November 2008 to April 2009, at the CCA:
“Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches but share a conviction that the traditional processes of top-down civic planning are insufficient, and new approaches and tools must be developed from the ground level upwards.”
More »
“Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches but share a conviction that the traditional processes of top-down civic planning are insufficient, and new approaches and tools must be developed from the ground level upwards.”
More »
1973: Sorry, Out of Gas November 2007 to April 2008, at the CCA:
“1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world.”
More »
“1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world.”
More »